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AfzB - Von der Pcardie [zufall026]

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AfzB - Von der Pcardie [zufall026]




"Und dies handelt von der Picardie und den Rosen die dort wachsen" is the second part of a 4CD-Project by Arbeitsgemeinschaft fuer zeitgemaessen Blickfang, called "Einiges ueber das was uns mal so beschaeftigt".

More Info about this release at http://galileo.bidala.org

Part one was released as zufall023 on Zufall Aufnahmen earlier zhis Year: http://zufall.bidala.org/zufall023


1 - She
[MusicBrainz (recording)]
2 - She is
[MusicBrainz (recording)]
3 - She is watching
[MusicBrainz (recording)]
4 - She is watching and
[MusicBrainz (recording)]
5 - She is watching and longing
[MusicBrainz (recording)]
6 - She is watching and longing and
[MusicBrainz (recording)]
7 - She is watching and longing and waiting
[MusicBrainz (recording)]
8 - Where the
[MusicBrainz (recording)]
9 - Where the long
[MusicBrainz (recording)]
10 - Where the long white
[MusicBrainz (recording)]
11 - Where the long white roadway
[MusicBrainz (recording)]
12 - Where the long white roadway lies
[MusicBrainz (recording)]
13 - Where
[MusicBrainz (recording)]
Run time 65:42

See also MusicBrainz (release group)[MusicBrainz (release group)]; MusicBrainz (release)[MusicBrainz (release)]

Notes

Hanns Ahring writes: Like the first volume of Einiges über das was uns mal so beschäftigt the music of this second volume consists of conducted improvisations. Frank Kooistra, who plays wind synthesizer, leads the group for most of the time. The result: Und dies handelt von der Picardie und den Rosen die dort wachsen. As in Am Meer, am wüsten nächtlichen Meer it's an open improvisation to which each player contributes individually. Sooner or later a pattern appears in the music. And then the leader appears, deciding which combination of instruments and ideas completes the pattern. A chemical process so to speak which makes way to a new process on which another process takes form and so on. Und dies handelt von der Picardie und den Rosen die dort wachsen is an example of a loosely lead group where the conductor mainly maintains the openness of the music so that each player can contribute to it equally. Keep that in mind and mark the differences when you hear Hörtet ihr nicht seinen schweigenden Schritt, the third volume of Einiges über das was uns mal so beschäftigt Enjoy!

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Reviews

Reviewer: bjorkstrand - - April 3, 2009
Subject: which is the difference?
which is the difference between a bad rich music and a bad poor one?
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